Klaus Lutz, still from Titan, 2008/13 Gelatin-silver print Film still photographed by the artist from 16mm film projection Edition of 3 (+1 Estate Print) 30 x 40 in [click on the image for full view]
I had the pleasure of coming upon animation images I'd
never seen before-- from an artist unknown to me--
at the Armory Fair. It was Klaus Lutz, the late Swiss artist who worked in Manhattan until his death in 2009. A little bit like stills from a Georges Méliès film, the Lutz images cast a spell even more more mysterious, involving layered exposures, and drawings over 16mm film shots somewhere past midnight. The white figurative drawing on black
stopped me in my tracks. Lutz made
a
transfer of secret treasures, as if to pass images in small
celluloid
packets, from one hand to another, or left in an envelope
slipped
between door and floor. Titan's lot is an ironic fight via
incremental
stabs and jabs, left hooks and feints, against the
indifference of the
world.
A fantastic play unfolds for hours before dawn...- CM |
"The oeuvre of Klaus Lutz comes together as a
fascinating, densely interlaced universe all its own. Based the premise
that written language would soon be replaced by entirely visual
communication, Lutz created an intricate sign system that he deployed
across a whole range of media (16mm film, film stills, drawing, etching,
and performance). Initially his preferred media were small-format
dry-point etchings and copperplate engravings of narrative image
sequences, some of them based on the writings of Robert Walser, whose
work was of crucial importance to Lutz. Later Lutz turned to
experimental filmmaking and film performances. By means of multiple
exposures, various types of lenses, and self-constructed apparatuses, he
created films that combined and overlapped layers of animation,
performance, drawings and scenes shot on the streets of New York, where
he had been living since 1993. Lutz shot the films all by himself in his
one-bedroom East Village apartment. Reminiscent of early silent movies
by Georges Méliès or Charlie Chaplin, the films relate the adventures of
one man, Lutz himself, in a quixotic universe poised between dream and
reality and made up of signs, shapes, everyday objects, and footage of
the outside world. Presented in the format of Lutz’ spectacular invention, the balloon projection, Titan tells the story of the space odyssey of “small titan,” who suffers from delusions of grandeur and who playfully and elegantly captivates us to the point that we allow ourselves to be enchanted and transported to far-flung territories..." - Martin Jaeggi (Translation Laura Schleussner)
Special thanks to Sabina Kohler and Bettina Meier-Bickel of Rotwand Gallery for these stills from Titan, a late work in the oeuvre of Klaus Lutz ((*1940 St. Gallen - 2009 New York). The Rotwand exhibition of Klaus Lutz's film Titan, together with stills and documentation from the Lutz estate, is on view May 25 to July 6, 2013 in Zurich, following a retrospective of his work at the Museum Haus Konstruktiv, Zurich 2012. A Vernissage.TV documentation of the retrospective installation is here. "He always used his drawings for his films, and he put in double projections..different layers of reality together... an amazing world of somebody who is flying and walking and doing things in the universe..." - Dorothea Strauss, Director, Haus Konstructiv, Zurich.
Some installation views from Klaus Lutz at Rotwand, Zurich:
Klaus Lutz, installation view, bubble projection, Titan, Rotwand, Zurich |
Klaus Lutz, installation views, bubble projection, Titan, Rotwand, Zurich |